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Next you’re going to align all the layers, just go to edit > Auto-Align layers. If you want to go faster with your retouching, you can reduce the size of the photos – but you will not get the best quality image.ĭuplicate the first layer and put it on top of all the layers, then select all of them. Now we have all the photos as layers in Photoshop. When you want to open 10 files of 36 millions pixels it takes a little bit of time, so be patient it may take a moment or two. Next select all the photos, right click, and choose Edit In > Open as layers in Photoshop (You can also check out: Using the Basic Sliders in Lightroom and Photoshop – a Comprehensive Tutorial)Īpply these settings to all the other photos by press Sync > Check All > Synchronize. This is just to show the basics steps to get in the next part. That is a very simple retouch, and you can do it the way you want it. I bring the Luminance Noise Reduction to 20, and then in the Sharpening panel, adjust it up to 62. Also I removed the chromatic aberration in case there is any. It is a simple thing that can remove distortion caused by the spherical nature of the lens’ glass. Then I set the clarity at +24, which is really going to give more character to the photo.įirst I enabled Profile Corrections. For the White Balance I chose daylight, I am also going to set the Temp at 5706 and the Tint at +7 to add a green effect, but just a little bit. Next I increased my whites to +30, and the blacks to -17 for a better contrast. Boost the exposure to +0.50 to make the overall photo brighter. To start, I am going to retouch the first photo: Step 1 – Make the photo popįirst thing I did was to bring the shadows to +100 and the highlights to -8 because it is already a pretty dark photo.
#Serge ramelli lightroom sharpening manual
Shoot All in manual mode so that you have the same settings on each photo, and you need at least 10 photos of the same waterfall. I was shooting three or four shots a second to make sure I didn’t miss it, and to create the effect of a long exposure.
#Serge ramelli lightroom sharpening iso
This photo was shot at 1/160th of a second, f/4.5 at ISO 320. So I am going to show you how I made this waterfall into a nice, smooth and dramatic waterfall with a long exposure look, using Photoshop. So I was on the lake getting ready to take the shot, but you couldn’t use a tripod on the boat, because it is not steady at all. One subject that I love to shoot is a waterfall, but it is unfortunate because there is not a lot of a waterfalls around Paris.īut, one day I was lucky enough to find one but the only thing is that you have to be on a little boat to shoot it. You can also follow along on my video tutorial for this lesson as well (see bottom of the page for the video)
#Serge ramelli lightroom sharpening free
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#Serge ramelli lightroom sharpening how to
Today I am going to show you a really nice trick, how to fake a long exposure in Photoshop. Ramelli does a good job of both while demonstrating the targeted masking technique on his color and black-and-white images.Bonjour! My name is Serge Ramelli I am a French photographer living in the beautiful, the amazing city of Paris France and the sunny city of Los Angeles. Range Masks have been available in Lightroom for a few years now, but many photographers are unfamiliar with the tool because it really needs to be both shown and explained. It’s something you must absolutely know.” Or you can change the color of an object.
“It can change your photography because you can just make the sky darker without affecting the rest of the elements of the photo. “It’s a really cool feature,” Ramelli says.
#Serge ramelli lightroom sharpening software
In the below tutorial, software guru Serge Ramelli explains how by using the Range Masks feature and, specifically, the Luminance (aka Luminosity) and Color Mask tools. Many photographers who are just getting their feet wet with Lightroom, however, don’t realize there’s a great way to do targeted edits in your photo rather than “global” edits of the entire image. The result would be a photo that’s too dim overall. For instance, if you want to darken a bright sky in a landscape photo, you don’t really want to darken the trees below it. Being able to tweak specific areas of a photo without affecting the rest of the image is the key to a successful edit.
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